Calendars are key to getting your writing time. Write your writing time into your weekly calendar like the important appointment it is. Set the length of time for it and stick to it.
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How true is your story? Can you possibly remember everything important to include in a scene from an event that happened thirty or forty years ago? And what about emotional memory versus fact—the truths you know by experience that can’t be verified by provable facts? With memoir, truth is expected.
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Where do you start a story? Whether you’re writing a short memoir or a book, you need to draw a reader in right away. Here are a few ways to do it. Use An Emotional Hook Emotional hooks engage. Readers feel something, they’re curious to know what will happen. They
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A memoir student asked me recently if it was okay that she was skipping ahead in the chronology she planned for her story. She was jumping a time period of several years to write about a part that came more easily to her to write. The material she was skipping
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With memoir, or creative nonfiction, you’re required to show—to animate—relevant events in stories you create from out of experience. What can you do if you don’t remember something clearly? You’ll draw on a combination of memory and imagination.
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Every week I talk with people at different points on the writing journey. Some people have an idea for a book, some have finished a first draft, some have started writing and want to know the best next steps. With all the writers I work with, we start by considering
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The question can come any time of the day or night: “Does my story matter?”
It can stop you in your tracks.
The question doesn’t usually come asking for an answer either. Why is that? Because the question is more an expression of self-doubt than a real question asking for a real answer….
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Writing a memoir is a creatively challenging experience, even for the most experienced of writers. It is creative nonfiction at its finest—a story carved from out of lived experience and shaped to tell an engaging, important story. It’s often a story drawn out of a situation, like Kimberly Rae Miller’s
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I spoke with Mag Dimond on Facebook Live, on her show, “Writers Coming Together.” We talked about writing memoir — what’s needed in a book people will want to read — and much more. I talk about what I learned creating my book Girlhood in America, about some of
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No matter how unique and compelling your story is, you set the bar impossibly high when you say you want a bestseller and nothing less. There’s no way to know that’s what your book can be. The publishing market can be a tough world to enter with anything less than
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